Richard sourced two different fabrics from Italy for this special, customised piece. The GOTS-certified organic silk base layer is from Taroni, one of last year’s CNMI Green Carpet Fashion Award winners. The outer, printed layer is made from GRS certified Newlife TM recycled polyester georgette from Boselli, Italy. NewlifeTM is engineered from 100% post-consumer bottles sourced, processed and spun into yarn using a mechanical process. The yarn is exclusively made in Italy with a fully traceable supply chain.
The colourful customised print on the dress was digitally printed in Richard Quinn’s London studio, using an Epson printer, only using the exact amount of fabric to eliminate waste. The Epson printing process also enables printing onto recycled PET polyester and reduces water and ink use compared with traditional print processes, making it the ideal process to create on-demand unique fabrics. The dress is embellished with Swarovski crystal stones. All embroidery was hand sewn in London.
Livia teamed the dress with a bespoke headpiece made by Stephen Jones, the design of which was inspired by the quote ‘aesthetics with ethics’. Stephen keeps all excess materials from his collections, production, and one-off bespoke pieces. For Livia’s Met Gala piece, he used excess felt from hats, which are blocked in the UK, from archive collection’s production. Stephen was also inspired by the book Mrs Pankhurst’s Purple Feather by Tessa Boase – the story of Etta Lemon’s campaign which led to the setup of the Royal Society for the Protection of Birds. With this story in mind, Stephen has used feathers that were collected on a walk in the Suffolk countryside. The colours for the headpiece were selected from the print of Livia’s dress and large loops of the excess felt were used to resemble the drape and flow in the dress.